Let Fury Have the Hour Revists the Dark Days of Reagan-Thatcher to Paint a Bright Future
The American Hardcore book and documentary that came out of it time-tripped me back to the days that shaped my worldview, back to the Contras, another Iran, union busting, the first AIDS deaths and so many more sick-makers. Several look at the same era fondly, which only illustrates how divided we are. To me, that time is best summed up by X's question-and-answer call during a live version of the anthemic "The New World" (praise be to John Doe and Exene):
Mrs. Reagan, do you gotta quarter?
Aw, I don't think I can spare it.
The whitewashing of the Reagan years was in full force by the American Hardcore movie's 2006 release, so I appreciated and started my story with this inclusion from Vic Bondi of the Chicago hardcore band Articles of Faith: "Everyone was saying it was 'morning in America.' Someone had to say, 'It's fucking midnight, man.'"
It's a period of time that also serves as the launching point for Antonino D'Ambrosio's new documentary, Let Fury Have the Hour, which debuts today on video on demand and goes beyond American Hardcore--and America, really--to show how artistic movements that sprang out of those dark days continue to propel us forward in post-teabaggy today.
Among the artists, musicians, comedians and social commentators who turn up on camera are: Shepard Fairey, Chuck D, Lewis Black, Eve Ensler, John Sayles, Billy Bragg, Wayne Kramer, Tom Morello, Elizabeth Streb, Hari Kunzru, Tommy Guerrero and Suheir Hammad. Ian MacKaye, the Fugazi/Minor Threat/Teen Idles' front man and straight-edge forefather, is featured prominently (and deservedly) in Let Fury Have the Hour and American Hardcore.
Here is the trailer: