When we talk about the dividing line between music and art, The Icarus Line's 2013 full-length Slave Vows and this year's follow-up Avowed Slavery are most definitely in the latter category. That said, these records ain't meant to be hoisted on a wall because the songs are present, immediate, primal and important.
Aric Lorton The Icarus Line
And why shouldn't they be? Since 1998, the Los Angeles group has been creating a harmonious cacophony that would make Iggy and Nick Cave proud. You'd think being placed into that sort of rock royalty would render The Icarus Line a household name, but it hasn't. Instead, the band -- led by singer Joe Cardamone and featuring bassist Alvin DeGuzman, drummer Ben Hallett, keyboardist/saxophonist Jeremy Gill and guitarist John Bennett -- have been presumed dead by many since 2004's Penance Soiree, which might explain why Slave Vows sounds like a group with its back to the wall, swinging, not going down without a fight.
Slave Vows is a challenge, an artistic peak for a group uncomfortable with familiarity. You might love it or you might hate it, but you'll definitely have an opinion. And that's what makes for great art.More »