Rock music is not typically thought of as a vehicle for profound commentary. Granted, the music of classic rock acts like Pink Floyd and Yes provide meditative grooves that are just as deeply poetic as they are good to listen to while stoned, but the progressive rock of Ian Anderson (whose band Jethro Tull was also a product of 60's England) is just as whimsically laced with satire and gobbledygook as it is overtly didactic. His latest album, Homo Erraticus, is the third entry in his Thick as a Brick Trilogy, which includes Thick as a Brick (released by Jethro Tull in 1972 and hailed by Rolling Stone as "one of rock's most sophisticated and ground-breaking products") and Thick as a Brick 2 (released by Ian Anderson in 2012).
Press Image of Jethro Tull from a 1977 Concert
The three albums make use of the narrative character Gerald Bostock, who light-heartedly flaunts archaic and cryptic verbiage while commenting on sociology and geopolitics. And while it can be argued that occasionally obvious political commentary is not a trait of profundity, the conceptual scope of the album -- to say nothing of its excellently orchestrated musical aspects -- is testament to its greatness. Anderson will be performing his latest album as well as a selection of Jethro Tull's greatest hits at Segerstrom Hall on September 18.