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Last Night reviews

Bad Religion, House of Blues Anaheim, 3/17

By Andrew Youssef, Thursday, Mar. 18 2010 @ 9:39AM
Comments (1)
Categories: live review
BadReligion500B.jpg
Andrew Youssef
Greg Graffin commanding the stage at House of Blues, Anaheim
Click for slideshow.

The Hype: Thirty years of punk rock is an outstanding feat. Some bands can barely keep it together for three years, let alone three decades. St. Patrick's Day was a perfect excuse for Bad Religion to celebrate, as they kicked off the first of seven nights at the House of Blues Anaheim.

The Show: The iconic Bad Religion logo loomed large in the background dotted with cover images from their vast discography. As the members emerged from the shadows and gathered their instruments, a flurry of down-stroked power chords in the form of "Do What You Want" crashed like a tidal wave over the audience. Front man Greg Graffin was storming across the stage pointing and effectively acting out his lyrics.  
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Bad Religion
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Last Night reviews

Black Rebel Motorcycle Club, House of Blues Anaheim, 3/16

By Andrew Youssef, Wednesday, Mar. 17 2010 @ 8:05AM
Categories: live review
Peter_hayes_BRMC500.jpg
Andrew Youssef
Peter Hayes of Black Rebel Motorcycle Club
Click for slideshow.

The Hype: After selling out three nights at the Echoplex in Los Angeles, Black Rebel Motorcycle Club visited the House of Blues Anaheim in support of their new album, Beat The Devil's Tattoo. Boasting such song titles as "River Styx," "Conscience Killer" and "Bad Blood," BRMC match the menacing names with haunting melodies and much bleakness.

The Show: A dimly lit stage punctuated by strobe lights and shadows perfectly suited the light and darkness of a BRMC show. The gears of "War Machine" slowly churned as Robert Levon Been almost tore the strings off his bass by bending them heavily for the intoxicating intro riff. Peter Hayes was the epitome of cool while smoking his cigarette and conjuring  clouds of distortion from his guitar to fill in the gaps.

Leah Shapiro quickly slammed her floor tom for the opening beat of "Mama Taught Me Better" as Been continued to attack his bass and coolly handle vocal duties occasionally clutching the microphone with one hand to emphasize certain lyrics. "Whatever Happened to My Rock 'N' Roll (Punk Song)" found Hayes playfully approaching the front of the stage and harass the photographers in the pit to the enjoyment of the fans in the front row.
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Black Rebel Motorcycle Club
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Last Night reviews

Street Spirit at Proof Bar, Santa Ana

By Nate Jackson, Monday, Mar. 15 2010 @ 2:43PM
Comments (3)
Categories: live review
The Hype: For those still pissed about the shutting down of the Ninth Annual Grrl Fair scheduled for March 6 (click for more info), last night's showcase at Proof Bar felt like a well-intentioned consolation prize. A good chunk of local female rockers (and their male band mates) scheduled to play the defunct outdoor event were thrashing in full force inside the dim, Santa Ana haunt. Bands from around the way included Teen Rex and Street Spirit, accompanied by Mermaid and LA band Stars at Night. And apparently a local music fan named Bonnie was holding a mask-themed birthday party. If that doesn't earn this event some "hype" points, then what else will?

Ss.jpg
​
The Show: The rambunctious, distorted sounds of Street Spirit echoed beyond Proof Bar's thick, white front door as bar hoppers and cigarette smokers shuffled in and out in between their 30-plus minutes on stage. Surrounded by people who came out to the bar's live Sunday showcase--dubbed the Wreck Hall--the Santa Ana five-piece (two-fifths female) wailed on their instruments for a semi-enthusiastic crowd. 

Straight-laced modern rock drum beats were the foundation for the band's infectious, angst-ridden rock on titles like "Assault" and "Compass." Even the song "My Marie"--pregnant with dreary, post-punk poetry--added some pep to the party as passersby paused momentarily near the stage to bang their heads on their way to the bar, or the bathroom.
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Tags:

Grrl Fair, Mermaid, Proof Bar, Santa Ana, Stars at Night, Street Spirit, Teen Rex, Wreck Hall
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Last Night reviews

BLOK at Detroit Bar, Costa Mesa

By Nate Jackson, Tuesday, Mar. 9 2010 @ 12:27PM
Categories: live review, local bands
Blok500BbyCV.jpg
Christopher Victorio
Gianna Gianna performing with BLOK Feb. 2 at Chain Reaction, Anaheim
The Hype: BLOK were on a winning streak long before the OC Music Awards--the fact that they were dubbed "Best Hip-Hop" act Saturday only confirmed their superiority. Captivating swarms of sweaty club kids and open-minded hip-hop fans across LA and OC, the group were on a high-powered roll as they kicked off the second night of their Monday March residency at Detroit Bar in Costa Mesa.
​
The Show: Although they had clearly run out of energy by the end of their set, the rabid BLOK fans at Detroit Bar weren't going to let the the sibling trio of spastic rappers leave until they got an encore last night. After a solid 45 minutes of primal boom bappery and ferocious rhymes, the Irvine-based hip-hop hype artists still had enough gusto to charge through a couple more songs. If this group has an "OFF" button, they sure as hell didn't show it. 

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Tags:

BLOK, Brother Cecil, Canvas, Costa Mesa, Detroit Bar
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Last Night reviews

The Appleseed Cast at the Glass House, Pomona, 3/4

By Gray Beltran, Friday, Mar. 5 2010 @ 8:20AM
Comments (1)
Categories: live review

AppleseedCast1byGrayBeltran.jpg
Gray Beltran
Appleseed Cast played both volumes of Low Level Owl--plus rare cover

The Hype: After acquiring a new record label and a few new band mates, the Appleseed Cast went on tour last year to promote their seventh album, Sagarmatha. Now the band is touring again, but this time they're playing both volumes of Low Level Owl, their landmark 2001 album. How exactly the Appleseed Cast would recreate their double record--heavily engineered with ambient sound, enveloping synthesizers, and multilayered guitar--remained to be seen. Whether or not recent addition John Momberg could measure up to previous drummer Josh Baruth, whose playing shined on the studio recordings of Low Level Owl, would be crucial.

The Show: Though normally a quartet, the Appleseed Cast were joined by a keyboard player when they started their set at the Glass House. On "The Waking of Pertelotte," the keyboardist created a layer of ambient music while frontman Christopher Crisci and guitarist Aaron Pillar chimed in with soft guitar plucking. When the instrumental segued into "On Reflection," Crisci opted not to start singing until toward the end of the song. "That outstretched hand you had to shake," he intoned, almost shouting, "will sell you out." The singer's voice, alternating between furious shouts and gentle whispers, has always been a key component of the Appleseed Cast's sound, forceful yet often subdued by the music.

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Tags:

Appleseed Cast, the Glass House
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Last Night reviews

Quadrophenia One Year Anniversary with Charles' Mansion, Dva Damas and Brother Cecil at the Crosby, Santa Ana

By Lucas Vocos, Wednesday, Feb. 24 2010 @ 11:42AM
Categories: Last Night reviews
IMG_0618.jpg
Lucas Vocos
Dva Damas
​
The Hype
: Quadrophenia has been rocking all things funk, punk, blues, garage and psych--with bands and DJs--every last Tuesday of the month at the Crosby in Santa Ana for the past year. Last night it was time to celebrate the anniversary. Orange County acts Charles' Mansion, Dva Damas and Brother Cecil provided the soundtrack for the drunken revelry.  

The Show: Who the hell do Charles' Mansion think they are? Genius band name aside, these guys stormed and stomped their way around the Crosby stage with the swagger and craze of Iggy Pop and earnest post-punk melodies reminiscent of Richard Hell and the Voidoids. These guys shouted, hollered and and yelped yet you could still find yourself dancing.  Charles' Mansion swayed their way through songs like "I Don't Work For Free" while a video of girls in bikini's boxed each other, making it just slightly difficult to choose where to focus your attention.

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Tags:

Brother Cecil, Charles' Mansion, Dva Damas, Quadrophenia, The Crosby
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Last Night reviews

Cold Cave, Avi Buffalo, Best Coast at Glass House, Pomona

By Lucas Vocos, Thursday, Feb. 18 2010 @ 11:51AM
Categories: live review
coldcave_1jpg.jpg
Andrew Youssef
Wesley Eisold of Cold Cave
The Hype:
Cold Cave's dark, synthpop 2009 album Love Comes Close is the complete amalgamation of 1980s New Wave laced with dark electro. Started by ex-American Nightmare and Give Up The Ghost frontman Wes Eisold, Cold Cave began as a solo project but has evolved to include multi-instrumentalists Dominick Fernow (aka Prurient) and former Xiu Xiu member Caralee McElroy. Cold Cave have built a burgeoning fan base by incorporating New Order's icy hooks and the Cure's bouncing melancholy with a bit of Trent Reznor's deafening industrial crunch.

The Show:  Eisold led a performance teeming with brooding melancholy and Cold Cave managed to transform Pomona's Glass House into Factory Records' Hacienda in Manchester of the mid 80's. Hits like "Love Comes Close" and "Life Magazine" garnered the expected excitement and thumping feet from the crowd, but the standout performances were "I.C.D.K." and "Theme From Tomorrowland," which displayed Fernow's understanding of the dark wave style but implementing his own take on the genre. Caralee MacElroy's feminine touch to the group adds a touch of delicacy to the tracks, a bit of fragility that singer Eisold mirrored.

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Tags:

Avi Buffalo, Best Coast at Glass House, Cold Cave, Pomona
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Last Night reviews

Dusty Rhodes and the River Band at Gypsy Lounge, Lake Forest

By Wade Tatangelo, Wednesday, Feb. 17 2010 @ 11:00AM
Categories: OC Music Awards, local bands

DustinofDustyRhodesbyChrisVictorio.jpg
Christopher Victorio
Dustin Apodaca of Dusty Rhodes and the River Band

Click for slideshow.

The Hype: Dusty Rhodes and the River Band's distinctive brand of indie-informed, neo-classic rock has made them one of the most celebrated bands to emerge from Orange County in recent years. Their past two albums--2007's First You Live and 2009's Palace and Stage--were released on LA-based SideOneDummy (Flogging Molly, Gogol Bordello) and met with strong reviews. Dusty Rhodes and the River Band are a seasoned touring act, as well, spending more time playing nationally--with acts ranging from Los Lobos to fellow OCers the Aquabats--than locally. The Gypsy Lounge quickly filled when they took the stage shortly past 9:30 p.m. Their set was part of the OC Music Awards final showcase series. 


The Show: Dusty Rhodes and the River Band's 30 (or so) minute performance teemed with verve and the kind of welcoming warmth that makes attendees become instant fans. Singer Dustin Apodaca's sells each lyric with a winning exuberance while playing keyboard parts  that often resemble those of a churchy organ. He even managed to work his accordion into the mix without it ever smacking of gimmickry. 

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Tags:

Dusty Rhodes and the River Band, OC Music Awards
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Last Night reviews

Alkaline Trio at the Glass House, Pomona

By Ryan Ritchie, Wednesday, Feb. 17 2010 @ 8:53AM
Comments (1)
Categories: Last Night reviews
AlkalineTriobyChadSengstock.jpg
Chad Sengstock
Matt Skiba of Alkaline Trio
Click for slideshow.

The Hype: The members of gloomy pop-punk band Alkaline Trio live in different parts of the country, which means tours can begin anywhere. With this in mind, singer/guitarist Matt Skiba, bassist/singer Dan Andriano and drummer Derek Grant chose the Glass House in Pomona to kick off a seven-week national tour to promote  their latest record, This Addiction. The 13-track disc, scheduled for a Feb. 23 release on the band's newly formed Heart & Skull (in conjunction with Epitaph Records), is being hailed as a return to form, which for most bands is either the kiss of death or the reclaiming of a throne. Luckily for the Trio and their fans, the answer is the latter.

The Show:
Skiba took to the mic to say hello before the group launched into the title track of their latest record. As expected, most of the audience bopped heads politely, but didn't know the tune well enough to get wild. The mellow vibes dissappeared for old-school favorites such as "Mr. Chainsaw," "Armageddon," "Crawl," "Goodbye Forever," "Nose Over Tail" and "Fuck You Aurora." The kids dug these tunes, but it was material from the band's middle era ("In Vein," "We've Had Enough," "Fatally Yours," "Sadie," "Blue Carolina" and "Blue in the Face") that got people most excited.

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Tags:

Alkaline Trio, Pomona, the Glass House, This Addiction
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Last Night reviews

Pterodacdudes at the Continental Room, Fullerton

By Nate Jackson, Monday, Feb. 15 2010 @ 11:49AM
Comments (7)
Categories: Over the Weekend, live review, local bands
The Hype: Every Sunday, the Continental Room in downtown Fullerton hosts Notes From the Underground, an unabashed blend of garage rock, punk and all things grimy. This week, Anaheim garage rock label Burger Records
 made their presence known on Valentine's Day with buzz-worthy bands Pterodacdudes, of Anaheim, and the bay area's Impediments
, both widely known for crazy live shows. The Field Trip
, a regular folk rock fixture at the Continental Room, also performed.

Pterodacdudes.JPG
​

The Show: Fans of ferocious Anaheim punk band Pterodacdudes were definitely feeling the love last night as the band exploded from behind the Continental Room's red curtain. Especially when thier lanky, raging front man Troy Rounsville unzipped his sweatshirt to reveal the words "Fuck Your Continent" scrawled in Sharpie on the back of his white, Terminator t-shirt. Wasting little time, the five-piece barreled head-on into the audience with relentless riffage and classic punk beats that never lost any steam during their 30-minute set. Howling relentlessly into the mic, it was impossible to pick out any lyrics but the pissed off, hardcore energy of each song managed to get the band's caustic point across.

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Tags:

Continental Room, Fullerton, Impediments, Notes From the Underground, Pterodacdudes, the Field Trip, Valentine's Day
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