Tyler, The Creator + Earl Sweatshirt - Fox Theater - May 22, 2013

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Katrina Nattress
Tyler, The Creator

Tyler, The Creator + Earl Sweatshirt
Fox Theater
5/22/13

Tyler, The Creator shows are known to get a little too rowdy and out of hand, but last night in Pomona Tyler let loose and got silly instead of psycho. Sharing the stage with his Odd Future brother, Earl Sweatshirt, the California bred rapper took selfies with his fans cell phones and sipped Capri Suns instead of starting riots. Supported by OF "pseudo" rappers Taco and Jasper, the Wolf Gang started its set guns ablaze. Without any introduction, they leapt on stage and started spittin' rhymes. Tyler performed songs off this year's Wolf and 2011's Goblin. He marched in place during "Radicals," and covered Nas and Frank Ocean's parts during "48."

Earl Sweatshirt rapped with Tyler, and Tyler contributed to his colleague's songs too. The crowd got exceptionally into the up-and-comers tracks, he's gearing up to release his sophomore album, Doris, and played a lot of new material--the standouts being "20 Wave Caps," which he performed with Domo Genesis, and "Whoa," the first single off his upcoming debut. As he rapped, Tyler rode around on his bike, waving to his fans. During the hook, as Earl rapped "G-O-L-F," and the crowd finished with "Dub-A-N-G," Tyler put his signing skills to good use and translated the letters into sign language.

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Youngblood Hawke - The Observatory - May 21, 2013

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Katrina Nattress

Youngblood Hawke
The Observatory
5/21/13

It's been a turbulent 10 years for Sam Martin and Simon Katz. Together, the two saw their former project, Iglu & Hartly, rise to moderate success and then crumble before their eyes. But when one door closes another opens up, and for the longtime friends the demise of one project guided them to something bigger and brighter: Youngblood Hawke.

Recruiting fellow Los Angeles-based musicians, Martin and Katz got their groove back and began writing songs and touring again. And now, a mere few years later, Youngblood Hawke has toured the country, released a successful debut album and single ("We Come Runnin'"), and received placements in "American Idol" and a forthcoming Coke commercial.

"Raise your hand if you were at our last show at the Constellation Room," Martin asked the packed Observatory last night in between songs. Only a handful of fans' hands shot up, and that show was last August. It's hard to believe that in less than a year a band can grow this exponentially, but after watching the six-piece perform, it's understandable.

See Also: Youngblood Hawke Are Flying High After Being Flat Broke


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The Funniest Billboard Music Awards Tweets

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REUTERS/ Steve Marcus
If you were my boyfriend...I'd burn those "Hammer pants."

With Tracy Morgan hosting the Billboard Music Awards this year, we were all anticipating a few shenanigans to go down courtesy of his sharp comedic tongue. Truth be told, we think he played it rather safe. Broadcasting "live" (yet somehow the East Coast once again saw it before us on the West which is total BS) from the MGM Grand in Las Vegas and with tons of appearances by favorites like Madonna, Macklemore, David Guetta, Lil Wayne, Justin Bieber, Taylor Swift, Nicki Minaj and the "Purple One" Prince, it was obvious that Twitter was about to come alive with squeals from tweens and more importantly, rib-jabbing comments from the cynics. And of course over here at the Weekly, we were just chomping at the bit to see what would be flying around the Twittersphere when the show was going down. Following the hashtag of choice for the show "#BBMA and #BBMAs," we captured a few gems that had us in stitches while this year's Billboard Music Awards kept us both entertained and totally annoyed.


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Doheny Blues Festival-Doheny State Beach - May 18, 2013

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Jackie Connor
Charlie Musselwhite and Ben Harper

Doheny Blues Festival
Doheny State Beach
May 18, 2013

Summer festival season officially started in south Orange County over the weekend as the 16th annual Doheny Blues Festival kicked off the 2-day concert series at Doheny State Beach. Although weather remained temperate with cool ocean breezes, the bluesy tunes turned up the heat from all three stages for a sprawling celebration of all things raw, rugged and "down home." Bonafide bluesmen,and housewives with sauced husbands in tow danced around in cheesy cowboy hats to the fine, electricfied tunes of artists like Joanne Shaw Taylor, Tedeschi Trucks Band and headliner Ben Harper and Charlie Musselwhite. Here's a taste of what we saw this weekend.

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Napalm Death and Cannibal Corpse - The Observatory - May 16, 2013

Categories: Last Night

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Adam The Bat
Cannibal Corpse
By: Alex Distefano
Napalm Death and Cannibal Corpse
The Observatory
May 16, 2013

It's been a while since this many bodies were packed so densely for a metal show at the Observatory. But, when you have two of the most brutal bands on the planet--Napalm Death and Cannibal Corpse--performing back to back, I guess a little headbanging hysteria is to be expected. The two bands performed together as part of the Decibel Magazine Tour, also featuring old school East Coast death metal veterans Immolation, LA's up and coming Abysmal Dawn and the Bay Area band Cretin, who have been in and out of the scene since the early 90s.

The sold out how was about one thing and one thing only: Extreme music. People weren't here to mess around. It was saturated with people from the get go, and only filled up more as the night went on.

See Also: Cannibal Corpse Take One Last Bite Out of the Festival Season.


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Andrew McMahon - The Troubadour - May 16, 2013

Categories: Last Night

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Brittany Woolsey
By: Brittany Woolsey

Andrew McMahon
The Troubadour
May 16, 2013

Now that he's taken the firm leap to writing new material under his own name, Orange County's own Andrew McMahon took the stage of the Troubadour in Los Angeles Thursday night to celebrate a new phase of his career in front of a sea of fans anxious to hear new material and hopefully relive a bit of the magic from his previous life as the lead singer of Jack's Mannequin and Something Corporate.

Throughout the evening, McMahon kept his stage banter to a minimum in front of the sold-out crowd, instead offering ample time to play many fan favorites, from mellow songs like "Cavanaugh Park" to dance anthems like "Bruised."

Having just played his last shows as Jack's Mannequin, the chance to see the material revisited seemed cathartic for fans who refuse to take McMahon's old albums off repeat.

At one point, McMahon took a second to share his appreciation and why he decided to play the Troubadour for this non-tour show.

"It's hands down my favorite rock 'n' roll venue in Southern California," he said.

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The Rolling Stones - Honda Center - May 15, 2013

Categories: Last Night

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Daniel Kohn
The Rolling Stones
Honda Center
May 15,2013

You have to hand it to The Rolling Stones. If you told any rock fan, critic or musician that they'd be playing live shows nearing the age of 70, they would have laughed and you would have been ridiculed. Just think back to the Jimmy Fallon character in Almost Famous when he told Stillwater, "If you think Mick Jagger will be out there trying to be a rock star at age 50, you are sadly, sadly mistaken." Well, that's exactly what happened.

Nearly seven years after they were last in the area as part of their Biggest Bang tour, the Stones came back to Anaheim for the first of two shows at the Honda Center. Filling a 17,000-plus person venue isn't an easy task, but when a band has sold out stadiums for the better of part of its career, an arena feels as close to an intimate club show as they can get (not counting the Echoplex gig late last month, which truly was a club show). People were in the parking lot early and lines wrapped around the venue like it were 1972.

Unlike other bands from their era, the Stones can still bring it. Yes, they're a little bit older and yes, there were sloppy, inconsistent moments that had even the most ardent fan groaning, most obvious when Keith Richards flubbed more than a few notes at the beginning of "Satisfaction," yet in a weird way, it proved the band is human and not a finely tuned machine like many would believe. There's a certain charm in being sloppy, even if it sounds a bit reckless. Even with a handful of haphazard moments throughout the set along with the unnecessary inclusion of special guest John Mayer on a better-than-expected version of Muddy Waters' "Champagne and Reefer," there were plenty of bright spots.


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Devendra Banhart - The Observatory - May 14, 2013

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Katrina Nattress

Devendra Banhart
The Observatory
5/14/13

To call Devendra Banhart prolific would be an understatement. Since making his debut in 2002, the Venezuelan/American singer-songwriter has released seven full-length albums, not to mention a plethora of EPs and singles. With a discography as extensive as this, it's only natural for the live show to keep its audience on its toes, and that's exactly what happened last night at The Observatory.

Banhart took the stage solo and began strumming the opening riff of "The Body Breaks," off 2004's Rejoicing In The Hands. As he sang, he grunted charismatically. He stuck with this album and transitioned into "A Sight To Behold," and the audience stayed attentively silent, which is a rarity at The Observatory. "How's everyone doing tonight?" he asked between songs. As his fans cheered in reply, he continued: "I'd like to dedicate this song to Art and Mom. Mom is, well, she's my mom." He played the jovial "Little Yellow Spider," and enhanced each of the song's animal characters by adapting different voices for each one. His mother danced and sang along in the front row.


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Kate Nash - The Observatory - May 9, 2013

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Katrina Nattress

Kate Nash
The Observatory
5/9/13

I'm not gonna lie; it was a bit jarring at first to see Kate Nash strut onto The Observatory's stage last night in a tattered black dress, creepers, and long black hair with bleach blonde highlights. I was expecting a charming, quaint, redheaded girl to shyly sidle up to the microphone, and instead saw a woman who looked like Siouxsie Sioux if she had been part of the Riot Grrl movement. Though I must say, it was a good look for her.

Backed by an all-female band, the British chanteuse flexed her "Girl Power" muscle throughout her 90-minute performance, dedicating half of her set to her recently released and aptly titled third album, Girl Talk. She started her set slapping the bass to "Sister," one of the many gritty, punk-influenced tracks off her new album. As she played, projections of sound waves wriggled on a screen behind her and onto the small screens of old television sets stacked onstage. She sipped on tea in between songs, allowing her vocal chords to loosen as she's still adjusting from her old, innocent songs to her new, angst-riddled tunes.

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Prince - City National Grove of Anaheim - May 7, 2013

Categories: Last Night

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Kevin Mazur
Prince's show in Vancouver. There was no photography allowed last night
Prince
City National Grove of Anaheim
May 7, 2013 (Early Show)
When you've been around as long as Prince, you make your own rules. This was evident from the moment people entered the parking lot of the City National Grove of Anaheim and received little paper flyers outlining that there would be no photography or video allowed at the show. Before the Purple One and his band 3rd Eye Girl hit the stage, drummer Hannah Ford reiterated while she and her bandmates didn't mind photos, Prince did and that's what mattered. While most people got the point, some didn't and got booted from the venue. But hey, for the time being, this venue was Prince's world--and we just happened to live in it.

As for the show, The Artist Formerly Known As A Weird Symbol was rockin' and groovin'. Sporting a cropped afro, tight black and white turtleneck, black spandex and high heels, his slightly altered look this time around was indicative of the increased rock flavor added to his sound. Prince's current tour is a throwback to how things were done at the onset of live club shows. There was an early show at 8 p.m. and a late one at 11:30 p.m. Fans who ponied up the $200-plus for the show definitely didn't sound disappointed, especially with reworked versions of hits like set opener "Let's Go Crazy" and "Little Red Corvette." The set was full of newer, lesser-known tracks along with some hits from across hit catalog.

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