The name Mike "Miguel" Happoldt probably doesn't mean much to the average Sublime fan. Not even when you throw out a reference to Skunk Records, the label made famous by the band's iconic releases 40 oz to Freedom,Robbin' the Hood, and 1996's landmark self-titled album. The label itself is a bit of a mystery, one that's even further diluted by uncredited Internet lore and bands who have hi-jacked the label's logo over the years for their own purposes. It also probably doesn't help that Happoldt, founder of the label and longtime friend of Sublime's late frontman of Brad Nowell, is one of the most low key dudes on the planet.
|Courtesy Miguel Happoldt|
|Miguel Happoldt on stage with Perro Bravo|
After the death of Nowell in '96 and the dissolution of Sublime--the label's main bread winner--the band's label head and producer basically let go of the reigns until the mid 2000s when he began to fight to reclaim the revive Skunk and reclaim its legacy. After 25 years of creating a sound synonymous with his Long Beach stomping grounds, Happoldt is celebrating his persistence with an anniversary show at the Observatory, featuring artists and bands who've been an integral part in his life as LBC's most underrated musical mastermind. "This show isn't about people's perception of Skunk Records," he says. "It's about basically me trying to do music a certain way against the grain for 25 years. I realized that if they're confused, that's not my problem. I'm not confused. Far from it."
We recently caught up to Happolt-- who now fronts his own band, Perro Bravo--to retrace what he says is the the real, un-twisted history of Skunk Records.
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