No matter how brilliant and familiar live classical music may be, unless the audience member is thoroughly versed in the genre or that particular piece of work, his 21st century attention span is probably going to wander off a bit during a concert. However, given the hyper-Romantic stylings of a film score (film scores usually focus on one to three themes, which are repeated over and over with variations), along with a screening of the film for which it was written, it is easy to keep an amphitheatre full of people rapt for two hours -- especially when that film is J.J. Abrams's Star Trek and the audience is full of Trekkies.
Star Trek screening at Irvine Meadows. Photo by Scott Feinblatt
For someone who has not experienced an orchestral music performance (high school recitals don't count), the acoustics of a live orchestra put your embarrassingly overpriced Beats headphones to shame. Add an emotionally engaging score, and the effect is as enveloping as a siren song. In this case, the song was performed by the Pacific Symphony under the direction of Richard Kaufman. The symphony's resident musical director, Carl St. Clair, took the night off as the Grammy award winning Kaufman is the man for the job when film scores are to be conducted; Kaufman is frequently a guest conductor for orchestras around the world, where he leads orchestras in both traditional orchestral presentations as well as in synchronized film performances. This concert was part of the principal pops programming series, for which Kaufman has been the conductor for 25 seasons.More »