Two reasons brought me to the
Long Beach Symphony Orchestra on Saturday night. First, I'm always on the prowl for something new, and to me, the symphony is definitely something new. The second reason was because I had been locked down by the flu for two weeks and I had enough of staying in bed watching
Law & Order.
As an absolute symphony virgin, you'll have to accept my apology for some of the dumb things I'm about to say.
To summarize, the LBSO's performance was amazing. The orchestra ran through Beethoven's Symphony No. 1 in C major, Kopetzki's Concerto for Marimba and String Orchestra and Beethoven's Symphony No. 3 in E-flat major, "Eroica."
What first blew my mind was the precision layering of instrumentation during the first movement of Beethoven's Symphony No. 1 in C major. As a recovering rock musician, I'm used to hearing songs with a constant percussion to keep time. But not Beethoven. And not the LBSO. Conductor Enrique Arturo Diemecke had that large group bopping and weaving as tightly as any rhythm section I've ever heard. Plus, his arms moving around made me think he was really into it. Showmanship at the symphony? Whoduthunk? Not me, that's for sure.
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