Top Five Timeless Horror Film Soundtracks

Categories: Film

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The perfect house for this party playlist
Ye who take delight in ghoulish things, gather 'round! There are many paths into the feared regions of the soul, and it is with pleasure that we shine a helpful torch so that you may find your way to them post-haste!

There are many types of horror stories (including those dealing with: ghosts, vampires, zombies, lunatics, etc.) and various manners of presenting those stories in film; movies can be conservative / straightforward, extreme, campy or surreal. But no matter the style of the film, many aspects of its production contribute to creating a solid effect on audience members. Moreover, the soundtrack of a horror film is just as important in establishing atmosphere as the lighting, the photography or the direction. And though experiencing a horror movie without the sound is to proverbially castrate it, simply listening to some of the best horror film soundtracks is enough to coax the listener into various states of agitation.

Now, for your sick pleasure, the Weekly is proud to present you with a cross-section of some of the greatest horror film soundtracks. Each selection demonstrates its brilliance by delivering willing listeners into a number of regions within the spectrum of darkness. Have fun, kids!


5. The Fearless Vampire Killers (Krzysztof Komeda)
Until his untimely death in 1969 (age 37), Polish Jazz composer Krzysztof Komeda was filmmaker Roman Polanski's go-to man. Many online lists of great horror film soundtracks frequently include Komeda's score for Rosemary's Baby. However, despite the haunting beauty of that film's track "Rosemary's Lullaby" (featuring actress Mia Farrow) and the delirious Satanism of "The Coven 2," I opted for his soundtrack for The Fearless Vampire Killers. The film, itself, is essentially a parody of the vampire films of Hammer studios, and the light-heartedness of the score quickly gives way to a reverence for an ancient evil which shares the world with us mere humans. It is easy to see that the jazzy yet gothic musical sensibilities of Vampire Killers were a major influence for many of the scores that Danny Elfman was to write, decades later. The motifs of the soundtrack include youthful flirtation, descending swarms of "children of the night," high stakes chases (no pun intended) and courtly ballroom evil.


4. Jaws (John Williams)
I remember the feeling of shock I experienced the first time someone referred to John Williams as a hack. The fact remains that many of his most memorable film themes are directly adapted from the works of classical composers; however, as Bono sang: "Every artist is a cannibal; every poet is a thief." And since most people forgive Jimmy Page for ripping off bluesmen like Robert Johnson, I think Mr. Williams can be forgiven for synthesizing the works of Dvorak and Stravinsky. That being said, the soundtrack to Jaws -- not unlike many of Williams's scores -- is as epic in its orchestration as it is in the emotional journey that it provides. Listening to it conjures the senses of: sinister creeping, frightful expeditions, surprise attacks and violent confrontations.


3. Psycho (Bernard Herrmann)
Before John Williams reintroduced grand, orchestral scores to movies, there was Bernard Herrmann. Herrmann's entire catalog fits nicely into any horror film aficionado's collection, as he composed for numerous horror & sci-fi films, television shows and (are you ready for this, kids?) radio theater shows. Apart from the shrieking strings that most everybody associates with Janet Leigh's death scene in this film, the soundtrack is a masterpiece of suspense. From the unrelenting tension of the opening title track, through the melancholic theme of the plotting heroine, to the accompaniment for the detective's ascension up the steps to solve the mystery of the mad "woman," Herrmann's score reminds listeners that unnerving mysteries exist in the world -- mysteries whose unfathomable secrets are frequently revealed when it's too late to do anything about them.


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6 comments
Jake Westenberg
Jake Westenberg

Damien: Omen II (Jerry Goldsmith), Bram Stoker's Dracula (Wojciech Kilar).

EA Prieto
EA Prieto

Where's the soundtrack from Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. The Jew responsible for 9/11.

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