See Also: *Happy 25th Anniversary, No Doubt! A Look at the First Show's Venue, Lineup, Flyers and Benefit--And Where Everyone is Now
*No Doubt in Their Own Words
is back with a retro-new wave album called Push and Shove
after a 10-year-hiatus. This week's cover story
has the fab four from Anaheim talking about the challenges of making the album and more; here, "Settle Down" and "Don't Speak" director Sophie Muller
shares the ups and downs of their 16-year-old relationship:
"We've worked together since 1996, unbelievably. I don't remember who got in touch with who, but I remember being sent the song "Just A Girl." That didn't happen but then I got sent another track.
It was "Don't Speak," and I remember thinking, "Aw man, they sent me the third single, it's obviously not going to be a hit." It was a ballad, and I really liked the energy of "Just A Girl." But someone had told me they were really amazing live and a great band, and I had to see them to believe them.
And in those days the only way to see them was through their video -- and it was hard to tell what they were like. It's not like they had YouTube clips. So I asked to speak to someone, because I always like to speak to someone I'm making videos for when I'm going to be working for them. Gwen called me one night when I was slightly drunk and I told her, "I have to have a cup of tea," so I tried to sober up and talked to her. And the next day, someone called and asked me to fly out and meet them in Chicago. Which I did.
That's something that would never happen now. In those days there was such an importance put on videos that record companies would actually fly [directors] out to meet a band. So I flew to Chicago to meet them.
I suppose Gwen wanted to work with me because she saw the videos I'd made, so she basically picked me. So I felt safe in that they obviously liked the sort of video I would make, and I didn't have to prove myself or anything, so I just had to get an idea.
Within about the first hour of meeting them it was almost like I knew everything about them, it was so intense.
I remember Gwen came to my hotel room, she was all sparkly -- remember when she used to wear the jewels around her eyes? She used to wear diamonds underneath her eyes, and I remember thinking, "Whoa." She was wearing yellow punk pants and she was all bright and sparkly. She was very charming, and really excited and sweet.
Basically what was going on was this full drama with the band. They'd been a struggling band for years, [and when Tragic Kingdom came out] suddenly they got all this attention. Of course, Gwen was an extraordinary artist so she was getting most of that attention.
So basically there was this big drama going on in the band; Gwen was getting all the attention and the band didn't like it and it was causing huge problems for them and it was really embarrassing for Gwen because it wasn't like she asked for it, it just happened. And I walked in right into this whirlwind.
I remember thinking they were amazing live, they had this great energy and really exciting and cartoonish, but punky, and they spit all the time on stage. I remember thinking it was so weird. But they were all really nice, and they all wanted to make a good video.
So we were talking about ideas the next day. Gwen had a sore throat so she couldn't talk and I went to breakfast with the rest of the band. Tom then said, "Why don't we just make the video about the breakup of the band instead of the breakup of Tony and Gwen's relationship?"